Puppet Master: The Littlest Reich

"Puppet Master: The Littlest Reich" is the thirty-seventh episode of the fifth season of We'll See You In Hell.

Episode Description
''Folks, this week Pat and Joe talk Puppet Master: The Littlest Reich! In Pat's Movie Corner: True Stories, Searching for Ingmar Bergman, I Feel Pretty, The Oath, Creed II, All That Jazz, and Raging Bull.''

Before The Film

 * Joe's in a better mood, but has an urge to drink all day. Pat hasn't drank in some time, but could have a drink now at 11 AM.
 * Matt McCarthy tells Joe to watch Seconds, which he forgot he gave it him as a gift. Joe remembers it as John Fulton giving it to him.
 * Joe was on Dining with Doug & Karen, Pat again insists he'd be great on Doug Loves Movies. Doug Benson's favorite Mel Brooks movie after Young Frankenstein is The Twelve Chairs. The boys will check it out.
 * You should do the second album like the first, then mix it up on the third (See: The Strokes). Joe counters with Radiohead.
 * Radiohead discussion
 * People that say A Moon Shaped Pool is the best are fucking losers.
 * The guys who aren't Thom Yorke and Jonny Greenwood go to the Rock & Roll Hall of Fame ceremony.
 * Joe saw Radiohead with Pete Holmes for free at Bonnaroo with an open bar, but still left early.
 * Robert Smith of The Cure's interview at the Rock & Roll Hall of Fame is hilarious, as is Frank Zappa's on MTV.


 * On With The Joe!: Was that Old Man River?

Pat's Movie Corner

 * True Stories (Pat)
 * The band name Radiohead is due to Stephen Tobolowsky.
 * Searching for Ingmar Bergman (Joe)
 * I Feel Pretty (Pat)
 * The Oath (Pat)
 * Creed II (Joe)
 * All That Jazz (Pat)
 * Raging Bull (Joe and Pat)

ScreamNN

 * Star Wars Episode IX trailer

The Film

 * Pat was excited because S. Craig Zahler wrote it, but this is not up to par for him.
 * William Hickey impersonations and age at the time of death.
 * It plays like a script's vomit pass and is poorly directed.
 * The kills did show a lot of creativity, but you can't just have a money shot.
 * Miscasting comedy people in films (such as Thomas Lennon)